In Conversation With Noah Falck for Rain Taxi

I’ve had the pleasure of collaborating with Noah Falck on a lot: My Next Heart, a Foundlings book release, programming at Just Buffalo, and much more to come. Last January, we sat down over a few pints in the Statler City bar, just off Buffalo’s Niagara Square, and turned our attention for a few hours to a subject Noah rarely brings up: his own work.

We covered a lot of ground: the reissue of Noah’s 2012 full-length debut, Snowmen Losing Weight from BatCat Press, the forthcoming release of his book Exclusions from Tupelo Press, the early influence of music on his work, the genesis of his Silo City Reading Series, his experience of parenting, and his feelings about calling Buffalo home. You can read that recorded conversation in the Spring 2018 online edition of Rain Taxi.

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Foundlings Enters ‘Next Phase’ with Lytton Smith’s My Radar Data Knows Its Thing

Buffalo News Art Critic Colin Dabkowski Traces the Transformation of a Magazine into a Press

“Foundlings Press Enters New Phase”

From the outside, the past few days might have seemed like a startling explosion of growth for Foundlings Press. Last Wednesday we announced our formal publishing partnership with The Public, Western New York’s alternative weekly newspaper, and teased the cover of our first title under the “Public Books” imprint, Bruce Fisher’s Where The Streets Are Paved With Rust: Essays From America’s Broken Heartland, Vol. 1, to be officially released Friday 6 April at Community Beer Works’ new Jersey Street location. This Friday, 16 March, at Hotel Henry, we’re releasing our first poetry collection, Lytton Smith’s My Radar Data Knows Its Thing, winner of the 2017 Foundlings Artist Residency and Chapbook Contest, designed by guest book artist Stephen Fitzmaurice. Meanwhile, we’re nearing the end of our open submission period for an upcoming release celebrating the life and work of the poet Frank Stanford.

These projects may all have come to fruition within the same short time frame, but, as Buffalo News Art Critic Colin Dabkowski explains in today’s paper, all are the products of a long period of gestation, as Foundlings gradually transformed from a biannual print publication with a modest circulation into what it is today: an independent literary publishing house with a national audience and roster of writers.

“With this book launch, a planned second residency, and another book on the way,” Dabkowski writes, “the fledgling Foundlings is off to a good start.”

More About My Radar

Book Launch Reading and Reception

Hotel Henry

444 Forest Ave, Buffalo, NY 14213

100 Acres Restaurant and LBAC Gallery

6pm: Cocktails

7pm: Poetry (Noah Falck, Janet McNally, and Lytton Smith)

8pm: Book sales and signing (plus more cocktails)

 

Lytton Smith’s My Radar Data Knows Its Thing, winner of the 2017 Foundlings Press Artist Residency and Chapbook Contest, is a deeply sensitive, wide-ranging, and lyrical exploration of human connection, technology, proximity, the past in the present, and the natural environment.

“With each poem that begins with his namesake’s classic line, Lytton Smith’s chapbook tests the limits of language just as it tests the limits of human relationships,” the poet Anthony Caleshu writes.” Words hold us together even when we’re questioning their validity. Our linguistic (and so our human) scale has just gotten bigger and bolder.”

The book features illustrations and conceptual design from Philadelphia-based artist Stephen Fitzmaurice.

Lytton Smith is the author of two books of poetry from Nightboat Books and the translator of several books from the Icelandic. The novel Öræfi—the Wastelands, from the Icelandic of Ófeigur Sigurðsson, will be published by Deep Vellum in spring 2018. He is Assistant Professor of English and Creative Writing at SUNY Geneseo.

November Shows: Glengarry Glen Ross and The Crucible

Theatre season in Buffalo has been off to a strong start. During Curtain Up week in September I was able to catch two excellent comedies: the charming adaptation Killer Rack at Alleyway and Noel Coward’s coruscant Design For Living at Irish Classical. Drama, however, is the flavor for November. Theatregoers have two fine choices in Glengarry Glen Ross at Road Less Traveled and The Crucible at Kavinoky.

Glengarry Glen Ross

In the age of Zillow, the basics of the play – an all-male real estate office fixated on index-card leads – seem a little dated. But RLTP has proven that the play is timeless – and ferociously relevant right now.

… Like these salesman we are all poor players, we are all walking shadows, strutting and fretting our hour upon the stage; we are full of sound and fury and we aren’t sure if anyone is listening: if there is someone out there, above us or behind the eyes we meet on the subway, at a Chinese restaurant, in the office, in bed, all we care is that they “sign on the line which is dotted.” All we want is to close; but as Glengarry Glen Ross demonstrates so powerfully, there is no final “closure,” and winning the Cadillac El Dorado “signifies nothing”: There is only the next sucker, the next sale, the next word in a neverending monologue. When Levene gloats to Williamson, “A man’s his job and you’re f*cked at yours,” he could, really, be speaking to any of us.

The Crucible

Proctor is talking about the witch trials. Because Arthur Miller is the author, Proctor is also talking about 1950s American anti-communist hysteria, another “crucible” in our history, which would sweep up and imperil Miller and some of his closest friends around the time of the play’s composition (1953). And because we are the audience and our year is 2017, John Proctor is also talking about the American Kangaroo Court culture and its Tweeter in Chief, where to prosecute is to hold power, to accuse is to claim privilege, and there is only safety in the transference of blame.

… Though occasionally slow and imbalanced overall, at its emotional crescendos (which are not, usually, the play’s loudest parts), masterful performances will carry away all the audience’s doubts, quibbles, and objections about this admirable production.

New Music Reviews on The Skinny: Kendrick Lamar, BadBadNotGood, Gorillaz, Beach Fossils

I’ve had the chance to review some solid albums recently. All have appeared in The Skinny.

From my review of Kendrick Lamar’s DAMN.:

The themes are familiar from earlier efforts – but this is more obviously an effort, a struggle. Appropriately then, he laconically raps on YAH., ‘I’m a Israelite, don’t call me black no mo’.’ He’s mining a deep vein – many African American artists have appropriated Old Testament narratives to describe their social and political experience. Here, though, Lamar really is Israel: “he who struggles with God.”

From my review of BadBadNotGood’s contribution to the Late Night Tales project:

You may spend a lifetime searching record store new acquisitions bins; once you find voices like these, you don’t let them get too far away. BadBadNotGood have packed more than a dozen little viruses into this disk, and once you hear it, you’ll be spreading the ill, too.

From my review of Gorillaz’ Humanz:

There will be work to do, yes, and failures – but there will also always be another party to plan, and it turns out that’s a more important task than we realised. Humanz, then, is what we need right now: an interruption, a challenge, an unfamiliar encounter, a good party – a message of hope that doesn’t seem naive.

From my review of Beach Fossils’ Somersault:

Many of the songs seem to soar – self-awareness at cruising altitude – but there’s also a groundedness to the album, a sense that at least one member’s classic Adidas are never too far from the Brooklyn pavements – in no small part because of an understated but pervasive politicality. This is the band’s best yet.

 

 

Foundlings Chapbook Contest and Artist Residency at Hotel Henry

English-language poets of all styles have an opportunity to win an artist’s residency at Hotel Henry in Buffalo, N.Y., where they will collaborate with a guest illustrator on a limited release chapbook of their poems, to be published through Foundlings Press, a Buffalo-based literary arts organization, in early 2018.

Foundlings Press welcomes submissions for its first annual chapbook competition. Submissions will close on October 1, and editors will announce the winner at the end of that month. The editorial staff will accept and review poetry of any style and subject matter. Poets must pay a $3 entry fee before submitting work; but all who submit will receive a complimentary digital download of Foundlings Magazine Vol. 3. All proceeds will directly fund the production and promotion of the winning chapbook. Interested parties can find further information on http://www.FoundlingsMagazine.com, or contact the editorial staff directly.

The winning poet will enjoy an artist’s residency at Hotel Henry, the boutique hotel, urban resort, and conference center in the Richardson Olmsted Complex, one of Buffalo’s landmarks and architectural treasures. There, from November 17-19, 2017, the poet will collaborate with guest illustrator and designer Stephen Fitzmaurice on a final manuscript of the chapbook, making full use of the center’s facilities and inspiring grounds. Foundlings Press will publish the chapbook in January 2018, with a launch party and reading back at Hotel Henry.

 

About Stephen Fitzmaurice:

Born in Buffalo and residing in Philadelphia, Stephen Fitzmaurice’s skills include illustration, graphic and industrial design, video and photography, and downhill skateboarding. Fitzmaurice graduated from The University of the Arts and has freelanced for Valkyrie Truck Company, Emgee Events, Community Boards and Bikes, and many other events and manufacturing companies. He now works as a graphic designer for Fuji Bikes.

http://www.sfitzmauricedesign.com/

 

About Hotel Henry:

Hotel Henry Urban Resort Conference Center is an innovative 88 room full-service hotel and conference center with modern purpose, designed to fuse with the architectural legacy of the National Historic Landmark Richardson Olmsted Campus. Throughout the building, Hotel Henry’s uncommon spaces invite guests to explore, gather and tuck away in the unique character of Richardson’s masterpiece. Interior and exterior spaces invite guests to find their own corner and make their own experience. This is the distinct Hotel Henry experience.

Hotel Henry’s Urban Resort Neighborhood offers a cosmopolitan Buffalo adventure that begins within steps of the hotel grounds. Situated amongst 42 acres within the city of Buffalo’s cultural corridor, the Urban Resort Conference Center is surrounded by parks, lake, museums, and connected to the fun and curious Elmwood Village. The Urban Resort Neighborhood is a borderless destination.

Henry Hobson Richardson, who is one of “The Recognized Trinity of American Architecture,” constructed this Richardson Romanesque-style campus of buildings more than 140 years ago. America’s landscape architect Frederick Law Olmsted, who designed Central Park in New York City, as well as Buffalo’s beautiful park system, designed the grounds and gardens throughout the campus alongside architect and landscape designer Calvert Vaux.

Hotel Henry is the first phase and 1/3 of the redevelopment of the Richardson Olmsted Campus. Alongside and intertwined with the urban resort hotel and conference center will be the Buffalo Architecture Center. Future phases of renovation and landscape improvements are continuing and will be directed by the Hotel Henry’s neighbor, the Richardson Center Corporation.

https://www.hotelhenry.com/

 

About Foundlings Press:

Officially launched in May 2016 with the release of its first semiannual magazine, Foundlings Press has gone on to publish three magazine volumes containing poetry from emerging and established artists, including Don Berger, Jason Irwin, Noah Falck, Justin Karcher, Lytton Smith, George Guida, Gerry LaFemina, and George Wallace. The Press has established a reputation for carefully crafted publications that play with language and imagery, including “found” text and images, provoking their materials into radical dialogues. The Press has welcomed visiting poets to Buffalo, helped to bring Buffalo poets to towns and college campuses throughout Western New York, and orchestrated other events, including 2016’s “Whistle Stop” tour of political poetry, with appearances in Rochester, Fredonia, Syracuse, and Toronto on the nights of the televised American presidential election debates. The inaugural chapbook competition and residency marks Foundlings’ transition from a magazine into a press, scheduled to release several other books in 2018.
http://www.foundlingsmagazine.com/