Whistle Stop readers respond to questions from The Varsity

The Varsity, The University of Toronto’s student newspaper, published an excellent article on the Whistle Stop Tour today. The writer posed some questions, and our performers’s responses were so beautiful (and unpublishably generous) that I wanted to present them all, uncut and unvarnished, here. Kassandra asked: What do you do, and why? What motivated you to participate in political commentary? How important is it for events like this where artists can speak about current politics? How do you respond to criticism surrounding what you are doing? Read our answers below:

Justin Karcher

On “Me”: Always an interesting question – what I do for “money money” is a lot different than what I like telling people I do – I’m an adjunct professor of writing every now and again, poet, playwright, published author, etc. – an artist, basically. However, art and a passion for writing doesn’t necessarily pay the bills. What does these days? For my day job, I work in insurance where I navigate the tricky waters of catastrophe, like trying to operate a rowboat with a q-tip. Every day you hear about an accident or something tragic and it could be something very minor, but for that person you’re talking to, it is the biggest catastrophe imaginable, especially at that exact moment in time. Kind of like a poem you hear at an event – at that exact moment in time, it is the greatest demonstration of the power of language, a syllabic submarine popping up out of the mouth and if the poem is honest, if it’s true and passionate, it will take aim at all the things that are bringing us down. Working in insurance has allowed me to appreciate catastrophes and that might sound weird, but by appreciation, I mean having a greater understanding for the tragedies that befall all of us on a daily basis – and socially/politically speaking, it’s important for us to know every level of catastrophe and break it down and learn how it affects ALL of us on a daily basis – and really, isn’t that what poetry or art is all about? Continue reading

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A Quick Guide to Sligo, Ireland

I haven’t been in Sligo long, but I waste no time in getting to know a new city.  (At two in the morning after my first night in town, I took a wrong turn walking home and found myself a mile up the road to Ben Bulben, next to an unlit Esso gas station and very little else.  This is about my only qualification to write this piece.)

So, here it is, a guide for culture vultures, beer snobs, Yeatsians, jazz cats, and trad lovers.

  1. The Cafe Scene
    • Anyone accustomed to late night coffee joints in the U.S. or the streetside cafes of Europe – clean, well lighted places anywhere in the world – might panic in Sligo: most cafes close at six.  I don’t have some miraculous exception, unfortunately – local culture dictates that the cafe crowd shifts to the pubs, and if you need to do a bit or work or a little reading, or just want to enjoy a drink in relative quiet, Sligo’s rowdy pubs are no place for you.  One glaring, glowing exception is A Casa Mia in Sligo’s Italian Quarter, open late and serving light plates, wine, and coffee drinks at tiny work booths and one massive communal table.  The constant soundtrack of operas broken by the occasional (soft) bagpipe rendition of Amazing Grace is a definite plus, though the food, the hours, and the atmosphere should be more than enough reason to visit.
    • Honorable mentions include Osta Cafe & Wine Bar, however, which is open until 7 Monday-Friday and 8 Thursday-Saturday – although their hours are flexible and patrons often push them well past their schedule.  Aside from offering a decent wine selection, good coffee, and excellent, fresh, local food, the cafe also hosts Irish- and French-speaking discussion groups on Fridays and Mondays – anyone is welcome to join.  The best part, though, has to be the view: the Georgian Yeats Memorial Building on the left offering a noble counterpoint to the postmodern Glass House Hotel on the right, all above the Garavogue River bright with swans.  Meanwhile, just off Wine Street diagonally from the tourist office, the Cafe Fleur offers quite good espresso drinks and a salad bar with an array of imported meats and cheeses.  The salient con of the Cafe Fleur is its popularity, as it’ll be crowded at lunch time.  And through the wifi is good, there are no electrical outlets in sight.  I encourage you to visit Oscars Cafe on Wine Street just before the entrance to the Quayside pedestrian street and shopping center, which has the best croissant in Ireland. Sean, the proprietor of this 20th-century film-themed cafe, moved from his old Cafe de Paris this year.  In his new location he peddles standard coffee, a variety of cakes, and the best damn croissants you can have outside of Gay Paree.  The recipe is a closely guarded secret, but as one of those poets would say, gather ye pastries while ye may.
    • osta sandwich
  2. The Trad Scene
    • Traditional Irish music is alive and well in Sligo, Ireland: walking past the pubs on Teeling, Quay, or Wine Street, you’ll sometimes hear it as early as five o’clock.  Some of the best players have come out of Sligo; and in turn the city brings the highest class of performers to its coziest venues.  The Harp Tavern on Quay St. offers trad every Monday night, buoyed up on free-flowing Guinness (as well as the other standard beers of Ireland – Carlsberg, Heineken, and, inexplicably, Coors Light).  The Snag, just a quick walk down from Osta Cafe, also offers trad and folk bands in Tuesdays, Wednesdays, and Thursdays, and Shoot The Crow off O’Connell St. hosts good bands most nights of the week.
    • Trad fans should book their tickets for Sligo now: the Fleadh Cheoil (the world’s largest Irish folk festival) is coming to Sligo 10-17 Aug., and will likely double the town’s population.  There must be half a dozen excellent folk sessions going on seven days a week already – once the festival starts you won’t be able to escape it.  Prepare to be humming and jigging in your sleep – and (so I’m told) say goodbye to sobriety.
  3. Jazz, Punk, and All the Rest
    • While trad’s all well and good, Sligo is home to so many young jazz cats with heads full of syncopation and seventh chords that the fiddle-and-concertina set have to share space with a modern and decidedly global jazz scene strong enough to support the annual Sligo Jazz Festival and a permanent school of bebop acolytes and generally hip cats.  People come to Sligo just for the jazz: case in point, America’s Christian Scott, the Congo’s Tropicana Musica, and a host of students from continental Europe and the Americas in for last week’s festival.  5th on Teeling is the first club I’d head to for jazz and blues, but my favorite music pub has to be The Swagman.  This bar explodes backward from the front door, with plenty of high secluded booths and a parallel beer garden lit in jolly yellows and perfect for taking a bit of air or nicotine or a girl.  The bar also has the city’s widest selection of craft brews on tap – one of my favorites was the Galway Hooker IPA (that’s I for “Irish”), but visitors should grab at least one pint of the Swagman’s homebrew, Shtuff.  But I’m drifting off course: the Swagman’s best feature is its music.  On a Tuesday night, I found The Crack Heads, a bass, fiddle, electric guitar, and cajon/bodhrán band self billed as “Irish folk wi’ a bit of the funk.”  Actually, they played jazz-funk filtered through Irish trad and even incorporating Hungarian motifs.  The bar has music every night: on a Wednesday, I found a DJ mixing W.A.R., A Tribe Called Quest, and Led Zeppelin.  (And Parliament-Funkadelic, when I asked.)
    • Fureys is worth mentioning, if only for their Sunday night band, the Out of Towners.  This bar is packed on Sunday nights, such that moving, sitting, drinking, standing, and sometimes talking prove difficult.  But the music is worth it – the Out of Towners are a funky, bluesy, deeply original band, with new material as well as a host of covers that will surprise and delight.  (I’m talking Dylan’s “One More Cup of Coffee” here.)
    • The Swagman Pub

      The talented Crack Heads on a Tuesday night at The Swagman’s Pub.

  4. The Arts
    • There’s too much going on in Sligo’s art and theatre scene to mention in a single post.  Suffice it to say that the Hawk’s Well Theatre‘s schedule is the first place any visitor to Sligo should turn to (or perhaps the second, after grabbing a pint and a local to fill you in).  The theatre offers a diverse mix of events, including lectures, plays, and trad concerts from acts too big for the local pubs.  The plays presented here won’t be as stylistically avant-gardeas the fare in Galway – but this is one of the only places in the world you’ll get to see Yeats’ plays, which are often too minimalist and stylistically challenging for art directors and dramaturgs elsewhere in the world.  Last week the theatre hosted jazz trumpet stylist Christian Scott; this week they present lectures from world-class Yeats scholars, a sold-out performance of The Man in the Woman’s Shoes, and a tribute to the late poet Seamus Heaney, led by his friend and contemporary legend Michael Longley (who’ll also have a book launch in the Hawk’s Well Monday at 7).  For visitors coming to Sligo in the next few weeks, the theatre will put on Yeats’ The Dreaming of the Bones followed by an octet of concerts from top artists across the entire spectrum of the trad scene, from Michael Rooney’s harp suite to the trad “supergroup” Máirtín O’Connor Band, much of this part of the Tread Softly Festival running through 8 Aug.  Poetry fans shouldn’t be dismayed that they missed Wednesday night’s Ciaran Carson, Ciaran Berry, and Andrew Jamison reading at the Wine Street Methodist Church: there isn’t a dull day in the festival, and the schedule is here.

[Click here for my Flickr album from Sligo.]